Thursday 27 March 2014

The Approach of NaNo


As April looms over us, I am keenly aware of how much prep I need to do for the upcoming Camp NaNoWriMo. At the moment - touch wood! - I'm feeling pretty good about it. I have a solid beginning, and I am pleased with the style I have chosen to work in. My goal is to write something that I would consider to be my favourite book, and that is certainly a daunting task! 

I'm still uncertain as to what to put for my word count goal; I have so many different projects on the go freelance-wise, I don't want to overwhelm myself too much, but then again I really do want to make the most of the opportunity that NaNo affords. I've gone down from 50k to 25, but I'm considering going back up to 30. 

At least I've found the music that will get me through it! The Firefly Doundtrack by Joss Wheldon is The Best television soundtrack - including Game of Thrones - that I have ever had the pleasure to come across. It's an absolute delight to listen to, and nothing quite like any soundtrack I normally have in my ears. 

I have also been assigned my 'Camp'. Of course, luck being luck, I was not put with any of the people I wanted to be, but they seem like a decent lot so hopefully it'll work out. I'm still not sure how the whole camp thing works, but it'll be nice to NaNo with people.

Wednesday 26 March 2014

YA Fiction Competition

Welcome to the 15th (free!) “Dear Lucky Agent” Contest on the GLA blog. This is a recurring online contest with agent judges and super-cool prizes. Here’s the deal: With every contest, the details are essentially the same, but the niche itself changes—meaning each contest is focused around a specific category or two. So if you’re writing young adult fiction, this 15th contest is for you! (The contest is live through EOD, Wednesday, April 9, 2014.)

So this popped into my inbox today, and I'm very excited about it! I've finally accepted that my WIP is of the YA persuasion, having had more people than I can count - strangers, friends and family - tell me so, and I've stopped wincing and embraced it!

Everyone should take a look at this, and sign up to the Writer's Digest - it's an invaluable source for writers and often plonks interesting articles into my inbox for me to read when I should be working.

Good luck to all who enter!

Tuesday 25 March 2014

Why?

Every person who has ever set pen to paper has, no doubt, been asked the question, "So, why do you write?"

My own answer to this question is probably one of the most common answers given. I write to escape. I write because it's easier to deal with the problems of my fictional characters in their fictional worlds than to face the utter hopelessness of being unable to deal with my own real life. I write because it makes me feel that I have at least some degree of absolute control over something.

When reality is running away from me, I sit down at my lap top and torture my characters. No matter how difficult I am finding my own life, I can be thankful that I am not them.

I have always been a lover of 'angst', and I have always found it to be where my greatest strength lies. Of course, like every other genre, it can be done very badly and is often unbearably cheesy and unrealistic, but I love it - lovelovelove it! - when it is done properly. When the words are woven so artfully together that you- the reader or the writer - can feel everything so acutely that you forget that it isn't real, it's the absolute most satisfying experience.

I write because I can. I write because doing so makes me feel like I am worth something. There is nothing else in the world that can make me feel like that.

Sunday 16 March 2014

Like Buses

It's amazing how things turn around, and it certainly makes me think that karma definitely exists. Or something of the sort. It seems that my life is constantly trying to find balance; if things get too good, then it has to balanced with bad things, but oh no! Now it's too bad! So send lots of good things!

At the moment I'm on a high. From being turned down for a job I really wanted and I really thought was mine, I now have a new job which is paying me two cents a word (!!!!), I am being considered for writing for a comic book company, and yesterday I was offered a high-paying ghost-writing job which, unfortunately, I don't have the time for at the moment, but they said they'd definitely contact me in the future.

I'm sure all this means something terrible is just around the corner, but right now I'm reveling in my good fortune and making the most of all the opportunities I have been given.

Thank you universe.

Friday 14 March 2014

The Ups and the Downs.

There is nothing in-between.

One moment, I am on top of the world, flying high as a kite; everything is Good, and life couldn't be better.

The next...Well, suffice it to say, I feel like the most incompetent person and the worst writer ever to grace the surface of the planet. I look back at the writing I was so pleased with two days ago and I just want to cry. How had I ever thought that anyone would want to read that? How could I ever be so delusional as to think that I was good at it?

But I've always been this way, and I suppose I'm used to it to some degree?

The good and the bad thing now - and the thing that I am still trying to teach myself - is how to continue to function whilst riding the low. Before, I could just set my pen down and forget about it for as long as it took to pick myself out of the funk. But now there is no choice. Now I have to suck it up and keep going, with my work and with my novel.

How do you continue with something that has to be top quality whilst feeling like it's the worst thing ever? How can you tell if it really is crap, or if it's just your black mood?

I don't know.

Someone tell me the trick, please.  

Thursday 13 March 2014

The Moon Path (second draft): An Excerpt.

© Esme Symes-Smith, 2014

His feet pound the ground to the beat of his heart as he runs, and runs, and runs; his breath catching in his throat as terror chokes him. He is driven by fear and the solitary need to escape. This is the first time in seven years - since the day his brother first came into the world – that Dakin has been selfish. But now, at this moment, his brother is safe. Their mother will protect him. There is no one who can or will do the same for him. He is alone. He must survive on his own.

As he runs, skirting around corners and flying down the long, winding corridors of his home, all he can hear is the blood rushing his ears and the steady thud! thud! thud! of his father behind him, above him, all around him. Every footstep is a sharp spur in his side, kicking him on; a constant reminder of what is at stake should he slow, should he give up, should he be caught.

He mustn’t be caught. Even if he runs to the very edge of the world, it will never be far enough. He must never stop running.

The carpeted stairs are soft beneath his bare soles, the marble of the entrance hall cold and slick, making his ankles ache with every slap of his feet. The great oak door looms up before him and sends a sharp jolt of hope sparking through him. Freedom. Thirty feet away, and he is already reaching for it. His fingers – long, gangly, just like the rest of him – strain towards the bronze knob, stretching, stretching, stretching, just a little further… Dakin’s eyes burn as sharp desperation washes through him, making his legs tremble and his arms feel as heavy as lead.

It is all he can manage to close his fist around the knob. The metal is slick in his clammy palm and refuses to cooperate – slipping and useless every time he tries, fails, to get a grip.

The footsteps on his tail are growing louder, closer, more and more threatening. They are almost upon him, it is almost over.

Dakin sobs as he tugs at the heavy door, his stomach twisting and knotting and making him want to just curl up and die.

Please please please…” The unconscious prayer settles on dry, trembling lips. Three fingers fly to his breast and tap once, twice. “Greatness luck,” he whispers, pressing his eyes tight shut. “Greatness luck-”

His heart stops for the shortest of moments when finally – finally – the door gives, the handle turns in his palm and the bolt is released. A laugh, short and surprised, escapes through the tears. With every bit of strength he possesses, Dakin holds on and throws himself back, gritting his teeth as he pulls at the heavy door until there is a crack just wide enough for his slim form to slip through and out and away.

A slim hand slips through first, then a foot. He can feel the sharp, cool air of the night on his skin. The stone paving is icy, and stings the sole of his foot. He withdraws it with a hiss, the coldness shooting up through his bones like a needle. He is wasting time – he knows that – every second he is not running is a second closer to being caught.

Dakin puts his foot down again, steeling himself this time, clenching his teeth and holding himself ridged in an attempt to not feel the cold. It is futile, and the pain is as acute and impossible to ignore as it had been before.

He is weak, and that knowledge is as bitter as the sharp ice of the outside.

The boy reaches out and prays, briefly, desperately, stealing a precious moment to ask for strength, just as his mother taught him.

He bites his lip, hard, and tastes blood.

Greatness luck…

Behind him, there is a roar – a low, thunderous sound which trembles through the air and deep into his heart. The force of it is enough to give him that one, final push.

Dakin stumbles out into the bright, chilled night, his thin arms wrapping immediately around his young body. It does nothing to ward off the cold.

Upon the smooth paving slabs he stands, shivering and tiny in the *shadow of his home, looking out at the vast, endless expanse of forest cast out before him, lying beneath the great, white orb of the Ever-Risen Sun.
It is impossible not to be overwhelmed.

Dakin’s dark-blue eyes widen; his mind whirling as he tries desperately to formulate the plan he knows he needs, to foresee the route that he has to take. He cringes internally at the magnitude of the journey before him, his breath snagging on a lump his throat, his head swimming.

It’s too much. He can’t do it. He wants to turn and go back inside, into the warmth. He will face his punishment willingly, gratefully, if only it meant feeling warmth on his face again-

Coward coward coward coward.

 But there is no choice. Not really.

His feet – numb, throbbing – drag him onwards; down the hard, stone steps and onto the gravel path, the tiny sharp tones biting at him as though each one possessed a mouthful of teeth. The sound of his own teeth chattering together drown out anything and everything else.

He sees a gap in the silver-washed trees and aims himself towards it. If only he can lose himself, if only he can get just a little further before he is seen…

Dakin does not hear the sound of leather upon stone, nor does he feel the hand clamp around the numbed skin of his forearm. It is only the hot breath burning the nape of his neck, the rush of air as he is spun sharply around, and the sudden sensation of falling falling as he is struck down - the back of his father’s hand colliding sharply with his cheek - that Dakin knows it is over.

Wednesday 12 March 2014

The Feeling

Yesterday, I had a break through and it was amazing. 

I got The Feeling. 

So, for my April NaNoWriMo, I had made up my mind to start something completely new. I began with the title, I had developed my basic cast and a fairly decent plot, and was well up for a new challenge. As far as I was concerned, NaNo is the perfect opportunity to do something new, something that you wouldn't necessarily do usually. 

But then there's my Second Draft constantly at the back of my mind. November NaNo was a complete success, and I love my finished product with all my heart. It is my baby. But it needs a lot of work, like, a complete re-write. And that's fine, I love it and I can't wait to get it Perfect ('perfect', in this sense, means 'so that I am satisfied myself') 

I've been dabbling on and off over the last couple of months; I've done a plan (which I never do) and started it a couple of times, but never quite made the connection I wanted.

Yesterday, I had a breakthrough.

It was never going to be a serious attempt, I just wanted to feel like I used to when I was writing, like I haven't done in far too long. 

So I went back to my roots. I re-read the fic that began it all (more on that later) and I sat down and wrote just for me.

It was brilliant. It flowed; it was *my* style and *my* writing, and it worked. 

But you know what the best thing was? I re-read it later on and I got The Feeling.

Now, this is The Feeling that first inspired me to write. It was the sharp twist of the stomach that you only get when you are the character you are reading, when you feel exactly what they are feeling. When I first felt like that, I knew that that was what I wanted to do - I wanted to induce That Feeling in my readers. That was my goal. And I was successful in that. I was shameless - I knew how to press the buttons, and I knew how to make people squirm and cringe along with my character. 

The hard part is making yourself, the writer, feel the same.

And I did, and it was wonderful. 

I only hope that I can continue along that line with the rest of my re-write, because I think only then will I truly be happy with this project.

Friday 7 March 2014

Those Lies We Tell Ourselves

Even though I am never happier than when I am tap-tapping away at my keyboard, I will make up every excuse known to man to keep myself from sitting down to write. A very good example of this was yesterday when I opened my emails in the morning to find a message from my client containing a sample of screenplay and asking me if I could translate it from prose. Now, I am always up for a challenge. I had never attempted such a thing before, and I was keen to show my client what I could do.


  • But first I had to check my facebook.
  • Then I had to eat breakfast over an episode (or two or three) of Modern Family. 
  • And, of course, due to family obligations I was a little behind with my proofreading job, so I had to do at least a chapter of that first. 
  • Then lunch needed to be had.
  • Tea.
  • Email.
  • More tea. 
  • Then I was reminded that April's Camp NaNoWriMo is just around the corner, so of course I absolutely had to sort out my profile for that and decide what my project was going to be.
  • And then I had to have a nice long bath and catch up on my reading, after which we had to go for a walk before it got dark.
  • Then dinner.

I had first opened my email at ten am. It was now ten pm, and I felt thoroughly gross. This was a client who I was desperate to impress, and I knew that I could! If I just knuckled down and got on with it. Eventually I did, and we were both very pleased with my work. I just wished that I had got on with it sooner.

As I get older, I feel like I am getting better at all this. It used to be the case that I categorically wouldn't write unless it felt right and the conditions were perfect. Now, I know better. 

There is no such thing as Writers Block, or Inspiration; you will never get perfect, absolute peace; sitting in a cafe does not provide you with any more magical powers than sitting at your desk does. Being a writer is like being a magician - you have the ability to weave spells and cast allusions that makes your audience go Ooh! and Aaah

But the greatest tricks are those we play on ourselves, and it is only when you allow yourself to see through the mirage that the true magic of the writer can happen. 

Living the Dream

I graduated nine months ago with a degree in English and Creative Writing, and in the time that's past it's been fascinating to see what my course-mates have been up to. That's the beauty of Facebook, right? I now have a friend that's working for the BBC, another that's a full-time carer, one who's living the high-life up in London, and more than I can count who are looking for something - anything - to fill the gap between graduation and The Career. 

And you know what every single one of these people have in common? They are writers and all they want to do is write, but there is no time and they can't afford it and they're too tired in the evenings. We've all been there, and we know how that goes. 

And then there's me. 

For my whole life, I have known that I am a writer; it is literally the only thing that I have ever been brilliant at. If I don't write, then what the hell am I going to do? 

Throughout my degree, people told me more times than I can count that the only thing I would be able to use it for would be teaching. Maybe academia if I sold my soul to Student Finance, but what it boiled down to was I would never be able to make my living doing what I love, because that's just not how life goes. 

I was lucky enough to spend six months in Austin, Texas after I graduated, nannying for my brother-in-law, and this provided me with the time I needed to Look at my Life and Look at my Choices. Because, obviously, I couldn't Get A Real Job in America, I applied to several work-from-home jobs. I wrote for a movie reviews website, I dabbled in writing for a removals company, and I discovered - much to my distress - that I was utterly useless when it came to non-fiction. 

Ugh. What kind of chance did I have in the world of professional writing, if I couldn't do non-fiction? None.

So I took a break, and I played a lot of Harvest Moon.

Then November brought me the blessed gift of NaNoWriMo. I won't go into detail right now - let's save something for later - but during that month I learnt more about myself as a writer than I ever had at university. I learnt self-discipline; I learnt that all you have to do to write is to sit down and bloody well write! No Excuses! And, above all, I learnt to have faith in my own ability.

After all, if I can write a novel in a month, I can do anything. 

Since then, I have not been afraid of different genres or huge word counts. 20,000 in three weeks? Pfft! Bring it on! All sorts of crazy job specifications have been thrown at me, and sure - sometimes I have to sit back and take a moment, but it's all a challenge and it's all experience and, you know what? I am using my degree to what I love.

I am a writer. 

There's no trick; I didn't get an easy break. My course-mates stare at me in disbelief and ask how I do it. I send them the links to oDesk and NaNo, and say there you go. Because, really, that's all there is.

The problem is, we were conditioned to believe that there was no hope and no chance for us, and when you can't believe, you don't try. 

NaNoWriMo was a test for myself - if I failed that, then I had forfeited my dream. If I couldn't be a writer, I wouldn't be anything. But I succeeded because I had faith in my own ability, and now nothing feels impossible. Sure, every step is hard work - there is no laid out path, but isn't that the fun of it? - But I am Living the Dream.

All it takes - literally - is a little bit of faith.